BIO

Amy Haney is an artist and educator in Omaha, Nebraska. Her mediums of choice are printmaking and watercolor. She is a lecturer at the University of Nebraska at Omaha and has taught for the Kent Bellows Studio, Joslyn Museum, MCC, and Creighton University. Amy holds a BFA from Ringling College of Art in Florida, MFA from the San Francisco Art Institute, and a MA Art History degree from Prescott College in Arizona. All degrees are specifically focused on printmaking, because, honestly, it’s the best of all art forms.

Her work can be found in private collections in the San Francisco Bay Area, New Yorks Metropolitan Museum of Art, Microsoft Corporation, and University of Wyoming Art Museum. Her illustrations have been published in a handful of Chronicle Books and she has attended artist residencies in Italy and Ireland. If you’d like to see more of her work, you can find her at Hot Shops Art Center and she’s represented at Anderson O’Brien Fine Art in Omaha, Nebraska.

ARTIST STATEMENT

Printmaking is a process in which a drawing is created on a matrix. The matrix could range in materials such as wood, stone, or metal. Using a printing press, the matrix is repeatedly run through under great pressure to create multiple original prints.

I enjoy the technical processes, complicated planning, and meditative repetitiveness found in printmaking. The steps taken to create each individual print involves methodical and efficient procedures to develop a cohesive edition of images and ideas. My meditative process is experienced in the rhythm of the carving, inking, and printing. I become immersed in the process, and all thoughts and distractions fall to the wayside.

My printmaking images have developed into interlocking, connecting, and overlapping designs. I have been building tessellations off observations in nature, architecture, and Celtic knot work. Making interlocking patterns has become an intuitive practice that leads to intricate design and planning.

I like to work on projects that are challenging in some form, such as multiple matrices or combining techniques. A printmaker at heart, I do find watercolour equally stimulating. My subject matter is based on observing and studying aspects of nature and manmade structures (architecture and dolmens).